It's Art Darling (Part II) Royal Doulton, an Ape and Nigeria
Published 20th March 2009
How many times have you heard the response ‘Huh, a monkey could have done that’? Generally from experience usually the words fall dismissively from the lips of someone faced with a material piece of human endeavour (the wider word calls ‘art’) that they just can’t understand. Perhaps the next step up from this forthright type of criticism is ‘My three year old could have done that’.
However recently I bumped into two apes that have made me reconsider. Firstly I sold a Royal Doulton Character Ape, a humorous figure which shows the seated individual with a book in its lap something which suggests a sideswipe to Darwinism. Although relatively mass produced it is the tongue in cheek face of art from a Western standpoint.
In my second encounter I came across a Nigerian, Yoruba carved figure of a monkey. This one was different, but equally engaging, unlike the Royal Doulton Character Ape which was one of an identical number, this was completely bespoke. I am familiar with Royal Doulton, but understandably am less so with ethnic carving, let alone the products of Yoruba.