The Lenkiewicz Legacy Sale – An Opportunity in the 21st Century
Daniel Goddard, Head of the Pictures Department, previews The Lenkiewicz Legacy
Sale that is being held on Saturday, 28th March 2015 in Exeter with Live
Online
Bidding. The auction offers an exciting new opportunity to buy from a carefully
selected group of paintings and artwork by the late Robert Lenkiewicz.
Diogenes and Belle at Prayer with Chairs (SF20/110) by the artist Robert Lenkiewicz
(1941-2002) offered in our The Lenkiewicz Legacy Sale on 28th March 2015 at our
salerooms in Exeter and online.
At the end of this month, on Saturday 28th March 2015, we are holding
The Lenkiewicz
Legacy Sale
and this will be a new opportunity to buy from a carefully selected group of paintings
and artworks that demonstrate the development, vision, direction and range of
Robert Lenkiewicz
as the artist.
The aim of The Lenkiewicz Legacy Sale is to raise funds for
The Lenkiewicz Foundation, to help them
acquire permanent premises on The Barbican in Plymouth and to achieve this the Foundation
has decided to include selected major oil paintings from their own small collection.
The other major contribution to the sale comes from the collection of Graham Carey,
a patron and friend of Lenkiewicz.
Chickens/Early Study (SF20/95) (1941-2002) is one of the carefully selected pieces
in the March 2015 sale by the late Plymouth artist Robert Lenkiewicz.
Two Stallions Fighting, Circa 1956 (SF20/94) by Robert Lenkiewicz - one of 114 pieces
by the artist in The Lenkiewicz Legacy Sale.
Self-Portrait at Private Studio, Priory Road, Lower Compton (SF20/26) by the late
Robert Lenkiewicz in 2000.
The range of painting stretches from early work, like the
1955 Chicken Studies
(SF20/95) and the
1956 Stallions Fighting
(SF20/094) painted when Lenkiewicz was 15 years old, right through to a
2000 Self
Portrait
(SF20/26). There is a real dynamic breadth to the 114 lots in this sale.
For variety, the sale includes a group of what we could call Lenkiewicz Promotional
Material in the form of exhibition posters, high quality prints, signed
editions of The Mary Notebook and studio photographs taken by his friend,
the photographer, Dr Philip Stokes. The prints of Lenkiewicz are an
insight into a discreet, but seemingly self-driven publicity machine and ego.
Self-Portrait at Easel
(SF20/28),
Self-Portrait Holding Rose
(SF20/29) and
Self-Portrait Project 10
(SF20/30), each estimated at £200-£300 each, all with Lenkiewicz looking straight
out of the image, straight into the eyes of the viewer and in each example Lenkiewicz,
its seems, has captured something in terms of expression and meaning.
A print Self-Portrait at Easel (SF20/28) by Robert Lenkiewicz - some of what might
be called the 'Lenkiewicz Promotional Material' selected for the sale.
Another print Self-Portrait Holding Rose (SF20/29) by Robert Lenkiewicz, with the
artist characteristically looking straight into the eyes of the viewer.
A further print Self-Portrait Project 10 (SF20/30) by Robert Lenkiewicz.
These speak volumes, as do the numerous other images of Lenkiewicz, not, I think,
in a 'look at Me' way, but rather in terms of 'look, I am a Painter and I make paintings'
and I think we are constantly being asked 'Do you take these paintings seriously?'
This question is also expressed in the
Exhibition Poster for The Painter with Women
Project
(SF20/7) and the
Exhibition Poster for the Paintings Painted Blind Project
(SF20/10) where Lenkiewicz is again saying 'look, I am a Painter'.
An exhibition poster for Project 18: The Painter with Women (SF20/7) - one of several
included in the auction.
Another of the exhibition posters in The Lenkiewicz Legacy Sale: Paintings Painted
Blind on the Theme of Blind Tobit (SF20/10).
The egotistical 'look at Me' interpretation and the alternative 'look, I am a Painter'
relationship, is repeatedly demonstrated in major paintings too. In this sale, the
beautiful full-length canvas of
The Painter with Esther Dallaway
(SF20/34) is a good example as is
The Painter with Karen Ciambriello
(SF20/49), with Lenkiewicz pictured centre front at his easel, with paintbrush and
palette. Is Lenkiewicz asking 'Is this about Me, or is this about a Painter of People?';
make your mind up.
Those familiar with Lenkiewicz will know that there are paintings which are not
'easy' to look at; these are painting that deliberately challenge inhibitions, challenge
attitudes and challenge social boundaries and etiquette. The subjects are often
much closer to our own experiences, beliefs and lives than we care to think.
The Painter as Old Fool
(SF20/56) is a raw and sexually charged painting and the fine
Study of Reuben Lenkiewicz
(SF20/83) is an awkward and provocative image with a dark and lost feel. So too
the study of the aged prostitute
Dot Harrington
(SF20/69) which is tragic and sad, but at the same time, could be on our doorstep
or lurking close behind a veil of social respectability.
The Painter with Esther Dallaway (SF20/34) by Robert Lenkiewicz carries a pre-sale
estimate of £15,000-£20,000.
The Painter with Karen Ciambriello (SF20/49) by Robert Lenkiewicz carries a pre-sale
estimate of £12,000-£18,000.
The Painter as Old Fool Painter with Yana Bernadette Trevail (SF20/56) by Robert
Lenkiewicz.
The Lenkiewicz Legacy Sale also includes a Study of Reuben Lenkiewicz (SF20/83),
which is expected to attract bids in the region of £18,000-£25,000.
The paintings selected for The Lenkiewicz Legacy Sale include several of the artist's
challenging images, including that of the prostitute Dot Harrington, aged 68 (SF20/69).
But it's not all weighty, serious, challenging stuff, at least not on the face of
it, and Lenkiewicz often demonstrates, or gives an impression of self-awareness
and a sense of humour. For example, the poster for his
1996 Evening With Lenkiewicz
(SF20/113) at The Theatre Royal in Plymouth. Is this Lenkiewicz claiming celebratory
status or is this just mocking irony? The estimate is £50-£100.
So Lenkiewicz is a figure painter in the traditional sense and it is the human form,
the person, the character, that dominates his work. Portraits, or studies, are closely
observed. Some portraits are sensitive and engaging like
The French Girl
(SF20/13) and some are sensitive but also brutally honest, like the
Cancer Victim
(SF20/73) or the portrait of the school boy
Mark Pierce
(SF20/59) from the 1980s Local Education Project which makes [tragic] sense in the
context of Lenkiewicz claiming that modern education amounted to 'the mass spiritual
slaughter of the young'.
The Lenkiewicz Legacy Sale: It's not all weight, serious and challenging stuff.
An Evening with Robert Lenkiewicz Poster - Love Him? Loathe Him? Tell Him! (SF20/113)
carries a pre-sale estimate of £50-£100.
Study. The French Girl Leaning on A Stretcher (SF20/13) by Robert Lenkiewicz.
Robert Lenkiewicz (1941-2002) - Mr Benny (Cancer Victim) (SF20/73).
A study of Mark Pierce with Rainbow (SF20/59) by Robert Lenkiewicz from the 1980s
Local Education Project, which makes [tragic] sense in the context of Lenkiewicz
claiming that modern education amounted to 'the mass spiritual slaughter of the
young'.
Leading the major paintings from the Lenkiewicz Foundation Collection is
The Painter with Mary in Newspaper Magi-Fool's Hats (also known as 'Paper Crowns')
(SF20/27), which is estimated at £30,000-£50,000. This is the statement painting
and culmination of the painter's 1981 Project titled The Painter with Mary: A Study
in Obsessional Behaviour. It is a painting well known to devotees of Lenkiewicz
and will undoubtedly become the centrepiece of a collection.
Also from The Foundation comes the large 1965 canvas called
Mouse with Wool
(SF20/87), which is one of the artist's major early works. It took over six years
to finish and the artist referred to as a 'turning point'. And of similar iconic
status is
Diogenes and Belle at Prayer with Chairs
(SF20/110), which was painted in 1974. This meticulously composed and executed work
is the culmination of the Death and The Maiden Project, which explored
the passing of time and the relationship between love and death. All these major
works have been recently exhibited in this country and in Germany.
The Painter with Mary in Newspaper Magi-Fool's Hats, also known as 'Paper Crowns'
(SF20/27) by Robert Lenkiewicz is estimated at £30,000-£50,000 and has been selected
for auction from The Lenkiewicz Foundation's collection. The Lenkiewicz Legacy Sale
is helping the Foundation raise funds for a Lenkiewicz Museum on the Barbican in
Plymouth.
Mouse with Wool (SF20/87) by Robert Lenkiewicz carries an estimate of £20,000-£30,000
and is being sold to raise funds for a Lenkiewicz Museum on the Barbican in
Plymouth.
I am regularly asked about "The Lenkiewicz Market". My view is that from 2003 to
2008 there was a 'frenzy' of collecting and buying Lenkiewicz. The supply of paintings
and drawings, fresh to the market, which we were able to offer at two big Studio
Sales, was an exciting opportunity for thousands of people with a personal
interest in Lenkiewicz. This demand spread across the whole of both sales, and world
record prices were set for iconic and major paintings, and also many of the lesser
works attracted multiple interest and bidding and prices flew away. As a result,
I believe some prices achieved at the Westpoint Sales in 2004 and 2008 are
in advance of the market now, a market which has calmed down.
So, what we have now is a sale which will establish where Lenkiewicz is in the 21st
century. The estimates are realistic and the sale is without doubt a rare opportunity
to buy selected and important works by the artist. The sale showcases a fine range
of paintings and in many ways maps-out and signposts the career of the artist. Whether
you intend to buy or not, we hope that you are able to attend one of the viewing
days or talks, on Thursday, 26th March 2015 and Friday, 27th March 2015,
or why not be at the sale at 12 noon on Saturday, 28th March 2015?
Fully illustrated catalogues (£10), with details about bidding on the Internet,
are available from the auctioneer.
The Lenkiewicz Foundation are presenting talks at Noon on both viewing days on the
life and work of Robert Lenkiewicz (1941-2002):-
- Bearnes Hampton & Littlewood
- Robert Lenkiewicz (1941-2002)
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