Skip To Content



Your privacy is important. Our Cookies Statement explains how we use cookies on this site. You can change their use at any time. You accept them by continuing to use this site. Our Privacy Statement explains how we use and protect your data.

First Editions: The Literary Pilgrimages of a Devon Boy

Richard Bearne, Chairman and Head of the Book Department, not only writes about First Editions and what can make them very valuable, but also reflects on how they can give further insight into the author's lives.

A set of Enid Bliyton Books.

A set of Enid Bliyton Books.

Keen book collectors will tell you that the Holy Grail of any work is its First Edition in the earliest possible issue. So for instance with the works of Charles Dickens, most of his books were originally published in monthly parts. Therefore, you are looking for not only the work in its original parts but also the earliest issue of each part! This is a whole world of study on its own as these parts contained advertisements, which where updated as the parts were re-issued.

Less complicated 'issue points' are relevant to many first editions (Did you know, for instance that Charles Lutwidge Dodgson's name was mis-spelt 'Dodgeson' on the dustwrapper of the first edition of Tolkein's THE HOBBIT?) That's all it takes for a copy to increase in value enormously.

The importance of early editions to the collector seems to reflect a desire to get as close to the author's original intentions for their work as possible. Perhaps for the same reason, the study of the lives of one's favourite authors becomes very attractive as it adds another level of understanding of their work when you see what their life was (or is) like and what influenced them.

When I become attached to a particular author, I find myself intrigued by their life and start to read biographies and even the works of others in their circle. I have long been intrigued by the world of Oscar Wilde and though I can never meet the man, there is a wealth of literature relating to him, quite apart from his own work.

There are several biographies of him, as well as biographies of Lord Alfred Douglas, Robbie Ross, Constance Wilde and on and on. His son Vyvyan wrote a fascinating autobiography that gave a unique insight into the effects that the scandal surrounding Wilde had on those close to him. In reading these works, you can build a picture of the author from the point of view of those who loved him as well as those who certainly did not.

Furthermore, I tend to become fascinated by the homes of writers who are important to me. My home town of Torquay was one of the most fashionable places in the world in the late 19th century and attracted the great and the good from all walks of life. Agatha Christie's wealthy parents settled there and she has become eternally associated with the town. Sadly, her childhood home was demolished many years ago, but you can still get a taste of old Torquay in some of her writings and her autobiography. Greenway , her much-loved holiday home, of course remains and is a popular tourist destination.

Oscar Wilde also spent some time in Torquay at the home of Lady Mount Temple, who was a relative of his wife. The house, Babbacombe Cliff, still stands, although it is now divided into apartments. Yet even from the outside can you get a frisson from the Belle Epoque with Oscar and Bosie living it up in the last years before it all went wrong?

Others who lived-in or visited Torquay include Rudyard Kipling (who didn't like it), Elizabeth Barrett Browning (neither did she), Eden Phillpotts, Charles Kingsley and Beverley Nichols. I like to think they have all left their mark on the town and that the town has had some influence on their literature.

Slightly further afield I have been privileged to visit the home of EM Delafield in Kentisbeare where she wrote many of her novels including her most famous 'Diary of a Provincial Lady'. This semi-autobiographical work derives from her life as a middle-class housewife in the 1920s and 1930s and to visit the home which inspired her work was a thrilling thing to do.

I confess I have even made a pilgrimage to Beaconsfield and wandered into the little close of houses on which Enid Blyton's Green Hedges once stood.

Tags

  • Bearnes Hampton & Littlewood
  • First Editions
  • Charles Dickens
  • Charles Lutwidge Dodgson
  • JRR Tolkein
  • Lord Alfred Douglas
  • Robbie Ross
  • Constance Wilde
  • Vyvyan Wilde
  • Rudyard Kipling
  • Elizabeth Barrett Browning
  • Eden Phillpotts
  • Charles Kingsley
  • Beverley Nichols
  • EM Delafield
  • Enid Blyton

Social Bookmarks

Please click the following links to flag this article to other people on the Internet.

About the Author

Nic SainteyNic Saintey
Ceramics and Glass

Nic Saintey has been a director of Bearnes Hampton & Littlewood since 2003 and heads up the Ceramics and Glass Department. He is part of the team specialising in Chinese ceramics and works of art.

Nic's first career was in the Armed Forces where he served both as a military parachutist and paramedic. He joined a firm of Somerset auctioneers in early 1995 and Bearnes during a period of expansion in June 2000.

His effervescent nature, sense of humour, broad knowledge and experience has seen him appear as an expert for BBC television programmes. He undertakes regular talks to both academic and general interest groups talking on subjects as diverse as Staffordshire pottery and pop culture, Chinese porcelain and the troubled relationship between Britain and the Orient, the English drinking glass and the Donyatt potters.

He is an occasional contributor of articles for national and local publications and is equally fascinated by the stories attached to pots as he is about the objects themselves.

His personal interests include Oriental and domestic pottery, but especially that produced in the West Country.

Accompanied by his Lurcher Stickey, he is a keen Moorland walker (but only in the winter), an increasingly slow runner and a chaotic cook who always eats his own mistakes and, yes of course, he collects pottery!