First Editions: The Literary Pilgrimages of a Devon Boy
Richard Bearne, Chairman and Head of the Book Department, not only writes about
First Editions and what can make them very valuable, but also reflects on how they
can give further insight into the author's lives.
A set of Enid Bliyton Books.
Keen book collectors will tell you that the Holy Grail of any work is its First
Edition in the earliest possible issue. So for instance with the works
of Charles Dickens, most of his books were originally published in monthly parts.
Therefore, you are looking for not only the work in its original parts but also
the earliest issue of each part! This is a whole world of study on its own as these
parts contained advertisements, which where updated as the parts were re-issued.
Less complicated 'issue points' are relevant to many first editions (Did you know,
for instance that Charles Lutwidge Dodgson's name was mis-spelt 'Dodgeson' on the
dustwrapper of the first edition of Tolkein's THE HOBBIT?) That's all it takes for
a copy to increase in value enormously.
The importance of early editions to the collector seems to reflect a desire
to get as close to the author's original intentions for their work as possible.
Perhaps for the same reason, the study of the lives of one's favourite authors becomes
very attractive as it adds another level of understanding of their work when you
see what their life was (or is) like and what influenced them.
When I become attached to a particular author, I find myself intrigued by their
life and start to read biographies and even the works of others in their circle.
I have long been intrigued by the world of Oscar Wilde and though I can never meet
the man, there is a wealth of literature relating to him, quite apart from his own
work.
There are several biographies of him, as well as biographies of Lord Alfred Douglas,
Robbie Ross, Constance Wilde and on and on. His son Vyvyan wrote a fascinating autobiography
that gave a unique insight into the effects that the scandal surrounding Wilde
had on those close to him. In reading these works, you can build a picture
of the author from the point of view of those who loved him as well as those who
certainly did not.
Furthermore, I tend to become fascinated by the homes of writers who are important
to me. My home town of Torquay was one of the most fashionable places in the world
in the late 19th century and attracted the great and the good from all walks of
life. Agatha Christie's wealthy parents settled there and she has become eternally
associated with the town. Sadly, her childhood home was demolished many years ago,
but you can still get a taste of old Torquay in some of her writings and her autobiography.
Greenway
, her much-loved holiday home, of course remains and is a popular tourist destination.
Oscar Wilde also spent some time in Torquay at the home of Lady Mount Temple, who
was a relative of his wife. The house, Babbacombe Cliff, still stands, although
it is now divided into apartments. Yet even from the outside can you get a frisson
from the Belle Epoque with Oscar and Bosie living it up in the last years before
it all went wrong?
Others who lived-in or visited Torquay include Rudyard Kipling (who didn't like
it), Elizabeth Barrett Browning (neither did she), Eden Phillpotts, Charles Kingsley
and Beverley Nichols. I like to think they have all left their mark on the
town and that the town has had some influence on their literature.
Slightly further afield I have been privileged to visit the home of EM Delafield
in Kentisbeare where she wrote many of her novels including her most famous 'Diary
of a Provincial Lady'. This semi-autobiographical work derives from her life as
a middle-class housewife in the 1920s and 1930s and to visit the home which inspired
her work was a thrilling thing to do.
I confess I have even made a pilgrimage to Beaconsfield and wandered into the little
close of houses on which Enid Blyton's Green Hedges once stood.
- Bearnes Hampton & Littlewood
- First Editions
- Charles Dickens
- Charles Lutwidge Dodgson
- JRR Tolkein
- Lord Alfred Douglas
- Robbie Ross
- Constance Wilde
- Vyvyan Wilde
- Rudyard Kipling
- Elizabeth Barrett Browning
- Eden Phillpotts
- Charles Kingsley
- Beverley Nichols
- EM Delafield
- Enid Blyton
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About the Author
 | Nic Saintey Ceramics and GlassNic Saintey has been a director of Bearnes Hampton & Littlewood since 2003 and heads up the Ceramics and Glass Department. He is part of the team specialising in Chinese ceramics and works of art. Nic's first career was in the Armed Forces where he served both as a military parachutist and paramedic. He joined a firm of Somerset auctioneers in early 1995 and Bearnes during a period of expansion in June 2000. His effervescent nature, sense of humour, broad knowledge and experience has seen him appear as an expert for BBC television programmes. He undertakes regular talks to both academic and general interest groups talking on subjects as diverse as Staffordshire pottery and pop culture, Chinese porcelain and the troubled relationship between Britain and the Orient, the English drinking glass and the Donyatt potters. He is an occasional contributor of articles for national and local publications and is equally fascinated by the stories attached to pots as he is about the objects themselves. His personal interests include Oriental and domestic pottery, but especially that produced in the West Country. Accompanied by his Lurcher Stickey, he is a keen Moorland walker (but only in the winter), an increasingly slow runner and a chaotic cook who always eats his own mistakes and, yes of course, he collects pottery!
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First Editions: The Literary Pilgramages of a Devon Boy was written on Friday, 19th December 2014.