Skip To Content



Your privacy is important. Our Cookies Statement explains how we use cookies on this site. You can change their use at any time. You accept them by continuing to use this site. Our Privacy Statement explains how we use and protect your data.

Robert O Lenkiewicz (1941-2002) - A Private Collection

 Robert O Lenkiewicz (1941-2002): Lisa Stokes Holding A Mirror (SF16/9), signed twice and inscribed oil on canvas 119 x 89cm. Estimate:
        £40,000-60,000.

Robert O Lenkiewicz (1941-2002): Lisa Stokes Holding A Mirror (SF16/9), signed twice and inscribed oil on canvas 119 x 89cm. Estimate: £40,000-60,000.

Bearnes Hampton & Littlewood are offering a private collection of pictures by Robert Lenkiewicz (1941-2002) for auction in Exeter on Saturday, 20th March 2010.

The collection represents an outstanding group of pictures which date from the 1950s to the last few months of Lenkiewicz's life.

Two of the major paintings in the collection are The Crucifixion (SF16/52) and The Last Supper (SF16/53), which were works in progress in 2002 and were housed in purpose built rooms in The Theology Studio on the Barbican in Plymouth, where they remained until the premises were cleared and they were removed to secure storage.

Among the rest of the collection are iconic Lenkiewicz paintings. Bernadette Travail (Yana) in Crimson Top (SF16/10) is a major work from 'Project 18, The Painter with Women: Observations on the Theme of The Double', (1994), and this is complemented by an outstanding group of portraits of women including two of Lisa Stokes, lots 8 and 9, and the powerful period portrait Study of The French Girl (lot 1), which on a small scale captures the intensity of the engagement between artist and sitter in the context of exploring human emotion and behaviour. Contrast this with the huge Last Supper canvas and one has a snapshot of the vast range and incredible output of Lenkiewicz as a painter.

On a similar scale to the Study of The French Girl, the earliest painting, the 1958 self-portrait of Lenkiewicz (SF16/4), demonstrates a confident, spontaneous use of paint and a characteristic and skilful understanding of tone which became hallmarks of Lenkiewicz. The close picture plane and tight composition indicate intense observation and exploration of character.

Cider Ryder with The Singer and Archie The Liar at Bath Street (SF16/28) is a monumental work of the highest quality. It is majestic, provocative and extraordinary; empowering the subjects with religious importance and ironically emphasising their place on the fringes of society.

Mary on The Studio Floor (SF16/25) is a beautiful portrait that captures the tension, loneliness and tragedy within the relationship between painter and subject. It contains symbolism that recurs in other major paintings. The torn and folded papers are fragments of the 'paper crowns' or magi fools hats (see Robert Lenkiewicz. Paintings & Projects: White Lane Press, pl 45), the wax candles and candlelight are a reference to mortality and recur in the Death Bed, (sold by Bearnes at Westpoint in 2008 for £96,000), and the symbolic paper cup can be interpreted as a metaphor for loss and emptiness.

When Robert Lenkiewicz died there was a small permanent exhibition hanging in a gallery called The Annexe on the Barbican. In pride of place was the painting of Robbie (lot 2), part of the unfinished Project 20: Addictive Behaviour, which is an excellent example of the level of intense observation which encapsulates the importance of the individual interpreted by Lenkiewicz. There is a huge amount of hearsay and rumour around Lenkiewicz and picture owners regularly claim that Robert told them theirs was one of his 'greatest ever works' (which no doubt he did). The painting of Robbie was clearly one of his favourite and most highly treasured, and it would be fair to say that there are a number of other paintings in this collection that rank alongside it.

Tags

  • Robert O Lenkiewicz (1941-2002)
  • Special Sale
  • Paintings
  • Pictures

Social Bookmarks

Please click the following links to flag this article to other people on the Internet.

About the Author

Daniel GoddardDaniel Goddard
Pictures

Daniel Goddard is a Director of Bearnes Hampton & Littlewood. He is also Head of the Picture Department.

Daniel Goddard was educated at The Kings Grammar School, Ottery St Mary and The Royal Military Academy, Sandhurst. He was commissioned in 1982 serving in Northern Ireland, The Falklands and Canada and in the 1990s completed an Open University degree in Art History and Humanities.

In 1988, he worked in Australia, Hong Kong and New Zealand and attended The Olympic Games in Seoul, South Korea. On his return to East Devon, Daniel joined Lawrences in Crewkerne as a saleroom porter and progressed to valuation and rostrum work.

In 1996, Daniel joined Bearne's in Torquay to head the Works of Art Department and transferred to Head of the Picture Department in 2000. He continues to run this busy department in the merged firm of Bearnes Hampton & Littlewood.

Daniel Goddard has been a director of the firm since 1999 and is an experienced valuer and auctioneer with a good broad range of knowledge and specialist expertise in paintings. He was responsible for the organisation and cataloguing of the two major sales of paintings by Robert Lenkiewicz (1941-2002), which raised in excess of £3 million.